Environmental resistance will determine how many humans the Earth can support Essays

Environmental resistance will determine how many humans the Earth can support Essays Environmental resistance will determine how many humans the Earth can support Paper Environmental resistance will determine how many humans the Earth can support Paper The above given statement suggests to me that the population of the planet that can be supported by the Earth is limited. As an individual, I view this statement as a guide and principle in living my life and creating a family. Continuous human consumption will provide us the energy that we need but this consumption is limited and is very much dependent on the amount of resources the Earth can provide. Some of my rules to live by will focus on â€Å"Sustainable Development†, â€Å"Sustainable Agriculture† and being â€Å"organic† in almost all aspects of living. Conserving and protecting the environment will increase the chances of the human race to survive for a long time. Concerns about nature and the planet should be the utmost priority. We don’t want to live our life inside a â€Å"Lonely† Planet. Human needs/wants should be the only consideration for the building of new roads, housing developments, golf courses, cities, etc. à ¼Ã‚  Ã‚  Ã‚   Industrialization and the progress of human civilization have brought in a lot of positive effects and negative effects. Decision making involving the destruction of some parts of nature and the construction of more human developments should always be given a second thought. Prioritizing industrialization over nature conservation is a big mistake. Although I understand that some sacrifices should be made for the advancement of the human race, I still strongly believe that decisions about industrialization should be critically evaluated and discussed. Pollution is okay if is controlled or minimized. I do believe that pollution is here to stay forever. For as long as there are humans living in this doomed planet then there will always be pollution. This realization will help us to do a lot of things in decreasing the presence of pollution. Since it is impossible to remove it, minimization of the harmful effects can be done if we manage our garbage properly. Industrial waste should be treated well and the following the idea of â€Å"Reduce, Reuse and Recycle† will greatly reduce the amount of pollution that we have. The greenhouse effect is not a big deal and probably temporary. Heating of our atmosphere is just one of the effects of destroying nature, increasing pollution and increasing industrial development. In my opinion, this only means that the greenhouse effect is only temporary. We can reduce or even eliminate its effects by doing a lot of recycling and conservation. The amount of carbon in our atmosphere is just one of the consequences of our own acts and the human’s discoveries. If we inculcate our children and people with strong moral and ethical values then we can expect a better management of the greenhouse effect and better conservation and protection of our planet. Quality of human life is measured only by housing and possessions. The above statement is 50% true for me. We will always live in this material world where we belong. Basic needs like food and shelter is a must. The quality of human life is mainly determined by the amount of â€Å"life supporting† things that you have. This includes food, housing, money, clothes and a lot more. But this only accounts for half. In my opinion, the quality of the individual himself determines the quality of life that he/she will have. Proper education, moral values, ethical values and the concern for other individuals will greatly dictate the decisions in life that he/she will have.

Five Ways Aspiring Screenwriters Can Get an Agents Attention

Five Ways Aspiring Screenwriters Can Get an Agents Attention I’m constantly meeting aspiring screenwriters from around the world, whether on social media, in academic settings, or via professional networking events like Pitchfest, and one question I often hear is, â€Å"How can I get an agent (or manager) if I have no produced credits?† Yes, cause for vexation, especially in Hollywood where chicken-and-egg conundrums abound. Yes, agents and managers are integral to success in the literary screen trade because they provide access to opportunities not otherwise available to fledgling writers. And yes, they put up walls to prevent the inevitable deluge of middling material from every wannabe just because he learned Final Draft. Fortunately, though, they left a few small fissures in their walls where truly talented and resourceful writers might squeeze through, even if those writers have no credits. Perform Well in Competition Screenplay competitions are a viable path to reaching agents and managers – and this includes platforms like The Black List (https://blcklst.com/) – but you have to be selective in which ones you submit to and you have to do well in them. Only a small handful of competitions are going to provide access to literary reps with any real cache. (See more details about these competitions in my previous article, â€Å"The Pros and Cons of Screenplay Competitions†: https://fundsforwriters.com/the-pros-and-cons-of-screenplay-competitions/). Typically, semi-finalists in well-respected contests will get phone calls from reps interested in seeing their material while finalists and winners will get in-person meetings. Get a Client Reference Writers should also speak with friends and colleagues who have representation in an attempt to gain entry that way. And that friend doesn’t need to be a writer. She can be a director, actor, editor, cinematographer, whatever – so long as the agency she’s with also has a roster of writers. Your friend should be able to tell you about the agency’s culture and whether she’s had good experience there, so you can determine whether they’re a fit. Offer to treat your friend to a nice dinner or some concert tickets if she can get you a face-to-face. Attach a Name Tinseltown loves â€Å"names.† A project with a recognizable actor, director or producer attached will draw the attention of reps eager to sign the writer before the project sells. The agency that reps your attached figure is the most logical choice since they have a vested interest in seeing the project materialize. Resourceful writers who have no agent connections but know others working in the industry should brainstorm ways to reach desirable names. Once a name is attached, generate heat Leverage Other Successes Many writers get a literary agent after achieving some modicum of success in another area of the business like directing, acting, or editing. For instance, use your past achievements as a bargaining chip with a prospective agent who wishes to represent you as an editor Network, Network, Network At the end of the day, Hollywood is still a networking town. The whole reason the old adage â€Å"it’s not what you know, it’s who you know† got to be an old adage is because there’s so much truth to it. Attend parties, seminars and pitch sessions where agents and managers might be present. Strike up a conversation and generate a rapport. Notice I didn’t say pitch your script, at least not off the bat. Just get them to like you first, because it’s really you they’re representing, not your script. Once you hit it off, they may just request your script. You can see Mark presenting on this topic at:  https://www.youtube.com/watch?v=JNADYEDlCEclist=PLez8jOvskc-N-qAIePOxtIjT_VzwuI5_Et=3sindex